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S2, E36: Ola Curates a Library For Free Black Women

Artist, reader, black feminist and self-described “book fairy,” Ola Ronke started the Free Black Women’s Library four years ago. With the impetus of wanting to create a space for black women to share and read works by other black women, she began collecting books and reaching out to friends for donations. On this episode, Ola boasts that she stopped counting the books once they reached 1200. She has books from different genres, different writing styles, different world perspectives. The only common link between each book is the author is a black woman. Each month, the library is at a different location in New York City (mostly in Brooklyn) and Ola curates discussions, workshops and author talks when the library makes its next stop. In addition to enhancing the literary lives of the readers who follow the library wherever it goes, Ola feels taking on this labor of love has given her so much as well. She talks about how it expanded her reading palate and opened her up to genres of literature she never even considered exploring. She feels it lights a fire in her to see through her 1200 books just how diverse in experiences and talents black women are. Running the Free Black Women’s Library has also forced Ola to become bolder and more assertive, which were not a part of her personality four years ago. She’s emailed some of the leading authors of today, asking them to come and speak at the library. Most of them graciously take her up on the invitation. Ola also talks about her mission in life and how it fits with what she is doing with the library and her work as an artist. She wants to create and celebrate beauty. She describes creativity as her super power so “I am fueled to create beauty, joy and love. And sensuality and pleasure are part of that creation as well.”

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S2, E28: Wendi is Protective of Her Community

Activist, storyteller and proud preserver of Black Southern culture, Wendi Moore-O’Neal honors the legacy left by her parents – both engaged participants in the Civil Rights Movement and dedicated creators of art and culture. In this episode, Wendi shares how her experience as a community organizer and artist impacted how she dealt with rebuilding a battered New Orleans after the devastation of Hurricane Katrina. She is honest about the blockades to bring back residents who were misplaced after the storm, citing that even she, a college educated professional organizer had trouble finding work that paid her enough money to survive and also allowed her the freedom to rebuild New Orleans the way she and its generations of residents needed it to be rebuilt. Wendi also talks about the mismanagement of financial resources that contributed to many black New Orleanians never being able to return home and the strategic way in which governmental entities sent the message that Black culture did not possess the skill set to properly remake a city that had been broken. Wendi’s honesty continues as she shares how “new” New Orleanians contribute to the city’s rebranding in ways that make her uncomfortable. She ultimately addresses this discomfort in the way she knows best: through the creation of art. She regularly hosts get togethers where marginalized New Orleanians sing together and has produced a film, This Little Light. The film tells the story of how the blockade to progress in New Orleans impacted her personally when she was fired from an organization because she married her wife. As Wendi explores what it will take for New Orleans to be free of what blocks it from the kind of progress she would like to see, she continues her pattern of unabashed honesty. “It won’t be free for the same reason none of us are free. Even in 2019, New Orleans, like many places around the world, is based on a plantation economy.” Wendi explains how it is a city built on the backs of the working class. “This is how capitalism works; all of the wealth is gained on the labor of working people.”

*Shortly after recording this episode, Wendi’s father, John O’Neal, passed away. We offer her and the entire Black South our condolences as he was an icon and culture bearer in not only the Freedom Movement of the 1960s, but in the Black Southern Arts Movement as well.